Tuesday, June 17, 2008

Proud of Pijiang

by:木木:木有书读


I like Wang Anyi is a writer. On a "harvest"She has a Zhongpian, the novel "proud of Pi Jiang."And "Everlasting Regret", said Shanghai is also the Nongtang life, I see it as private on Wang Anyi's "Nongtang"of a Yiyouweijin for, or that is creative, "Everlasting Regret ", Thought of, but not enough time to write things. Rumors, pyrotechnics, lust, no such change, different is that the "pride of the Pijiang"said a group of "4050"present life, Pijiang is an outsider, "Jiangbei people,"Nvyi Hao Gendi Is also a "northern"circle grew up in Shanghai women. There is no doubt that they are also part of Nongtang, or even, as we can, and they are Wang Qiyao's neighbors.


whether it is "Everlasting Regret"or a "pride of the Pijiang,"Wang Anyi are like a city's wait and see, she brought her to see, hear, remember , Thought of, or even to the criticism, Weiweidaolai. However, she detailed the narrative, but it is very difficult for me to enter her impressions of the environment and to in the story, but more like with her, as a free Nongtang over the "doves", quietly watching her have to That's all. This is not only novel and the narrative point of view, the language-related, with my own reading experience is also a close relationship, therefore, can not be said to be a good or bad.


Generally speaking, using the third person creative fiction, there is a behind the "I"and "I"is the author, is the narrative, the "I"The usually hidden. But in Wang Anyi's novel, the "I"often Kongzhibuzhu to come out to, for example:


"days of the time, individual households in the table on Pupai Nongtang Lane,I dare say, Pijiang small family dinner table is not the first, is also the second. "


from the text, "I dare say that"these three words, can be omitted entirely. I do not know that Wang Anyi's written like this is intentional or arbitrary. If the textbook is, which is contrary to the principles of the novels, - is not a general 'yuan narrative' in the 'I', but I very like it, just like in the teahouse, storytelling artists face The audience to a sudden, "I said are really ah. "


this narrative, there are two effects, first, really easy to let some readers believed, or, it was reminded that all of all, is the author, "said The "Second, the narrowing of the gap between authors and readers, an increase of the scene a sense of friendliness. Friendliness is not only the needs of readers, is also the author of the needs of the creative fiction is lonely.


a novel, if I can see the story, the author can see, this novel is that I can accept.


original link:http://mumu6.blog.sohu.com/83652872.html

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